Classé Redefines Amplifier Excellence With New Delta Lineup

With its global reputation for genuinely reference-standard audio designs (including at Abbey Roads Studios, where no fewer than 33 Classé power amps are at work every day), when the Canadian manufacturer debuts a new amplifier design, the high-end world listens.

Classé Audio CA-M600

When Classé unveils no fewer than four, that same world begins to buzz.

That will surely be the case this fall as Classé intros a new range of Delta series power amplifiers, upgrading what has been one of the firm’s most successful, and the worlds most universally admired family of mono and multi-channel power amps.

“The original Delta series power amps have created a perception among audiophiles, music professionals, and recording pros alike, that Classé amplifiers belong in the world’s most demanding systems,” says the firm’s Executive VP Brand Development Dave Nauber. “These new amplifiers will validate and reinforce that perception for years to come.”

A total of four new Delta series models are to be unveiled. Two monaural models, the CA-M300 and CA-M600 are rated for 300 and 600 watts respectively, while the stereo CA-2300 and multichannel CA-5300 promise 2×300 and 5×300 watts respectively.

The new Delta series models build upon three key refinements. First, a new miniaturized driver-stage circuit, which is almost perfectly free of noise and distortion, delivers the most precise signal control yet devised. Additionally, the entire amplification process occurs on a single new six-layer circuit board, significantly shortening the signal path for superior time-domain performance and even greater transparency. But the most obvious and arguably one of the most important new Delta series innovations is Classé’s ICTunnel™ (“icy tunnel”), an active cooling system inspired by million-dollar medical and laser imaging equipment designs.

Audiophiles have long known empirically that any amplifier achieves its best sonics when warmed to its ideal operating temperature. But just what temperature is that? How quickly will it reach it? And how warm is too warm?

The ICTunnel eliminates these uncertainties by bringing each new Delta series amplifier to temperature within 15 minutes of initial power-on—and holding it there.

The Intelligent Cooling Tunnel incorporates advanced sensors and microprocessor controls to maintain the amplifier’s ideal operating temperature throughout the listening session, regardless of how hard the amplifier’s driven.

The all-new Delta series amplifiers bring fresh thinking to the category. In addition to a completely new audio circuit topology, a new power supply design enables the amplifier to sit at idle, consuming only 0.5W in standby. With the ICTunnel helping the amplifier to quickly reach its ideal operating temperature, there is no need to waste energy by leaving the amplifier continuously on, as audiophiles often do.

Consistent with the original Delta series amplifiers, the new designs include a host of sophisticated control and diagnostic features. RS-232, USB, CAN Bus, IR and DC trigger controls provide for automation in virtually any installation scenario. Comprehensive monitoring of AC mains and signal input and output parameters assures a lifetime of safe, reliable operation.

The four new Classé Delta series power amplifiers share their predecessors’ massive, rounded fascia and aluminum-steel construction, executed to the very highest standards.

The four new models join the existing CA-2100 (2×100 watts), which continues in the line at an attractive new price.

The Delta Series power amplifiers will be available in September, 2010, at the following suggested prices:

• CA-M300 $5,500
• CA-M600 $7,000
• CA-2300 $7,000
• CA-5300 $9,500

Dear Friends,

Wisdom Audio is gearing up for our most significant CEDIA presence yet. One of our goals is to present the range of custom installation and finish options the Sage Series offers our dealers and customers around the world.

L100i Sage Series by Wisdom Audio

We also hope to deliver some of the finest sound possible in such an environment, using the L100i/C150i/L100i LCR configuration shown below, behind an acoustically transparent screen.

In addition, we will be demonstrating a new model in the Sage Series line for the first time and hope to see you at our sound room booth, SR-14. (This new model has already won an award for its design, but that is all we can share at this time.)

Sage Series Training

Jon Herron of Wisdom Audio will conduct training on the Sage Series. Topics include a technology overview, installation tips, and a review of the set-up and calibration of the system.

The training will be held on Saturday, September 25, 8:00 – 9:30 am, in Room GWCC-A308a.
All current Wisdom Audio dealers and distributors are urged to attend.

We wish to thank…
The following companies have generously provided us with equipment for our use at CEDIA Expo.
You will also find a complete Sage Series speaker system in the projectiondesign (avielo) theater, Booth 1346.

Entreprises présentes au CEDIA avec Wisdom

BURMESTER of NORTH AMERICA
TEL +604.542.0904 • FAX +604.542.0905 • E-MAIL: info@burmester-northamerica.com • www.burmester.de/en
03.05.2010

Burmester product line

Product Information
Top Line : Phono Preamp 100

BURMESTER 100: THE SUPERLATIVE PHONO PREAMP

The Phono Preamp 100 is probably the world’s most comprehensive Phono Pre Amp avaialble. A key feature never achieved before is the ability to professionally digitalize analogue records.

Burmester’s new Phono Preamp 100 is a highlight for all analogue-fans. The 100 is a reference to the successful Phono Preamp 838 from the 80’s. The final result is a return to the roots of Burmester’s story of success, combined with state of the art technology from the 21st century.

The Phono Preamp 100 was designed to provide record-fans with an ultimate sound quality and a digital preservation of their tonal treasures.
The Phono Preamp 100 aligns carefully selected building parts, circuit technology and precise engineering with faultless analogue sound. It represents the perfect intersection between the processing of finest analogue signals and practice-oriented technology. With this device, it is possible to transmit your analogue record collection in the highest-possible resolution to a server, a hard drive or directly to a CD recorder.

The external voltage value, responsible for acoustic noise, humming, or distortion has been eliminated to the highest degree possible.
All measurements of the phono preamp attain the absolute minimum that can be realized in theory and in practice. Thus, in all probability they represent the state of the art at present and in the long term.

BURMESTER of NORTH AMERICA
TEL +604.542.0904 • FAX +604.542.0905 • E-MAIL: info@burmester-northamerica.com • www.burmester.de/en
03.05.2010

Technichal Characteristics of the Phono Preamp 100

Inputs: Fully equipped, the Phono Preamp 100 offers two balanced phono inputs (XLR 3pol. female), which can be configured as MM or MC versions. Thus, it supports the connection of record players with two different cartridges or the connection of two record players, each having a different cartridge (MM/MC).
The Phono Preamp 100 automatically recognizes the MM or MC module, and thus has a very simple operation. In addition to that, all settings (impedance, gain, subsonic, output 0 dB/+6 dB, Auto Adjust) are automatically stored and are available when changing inputs.
XLR-Cinch-Adapters: Record players are ideal balanced sources. Therefore, in order to achieve the best sound quality, tone arm leads should always be used with XLR-plugs. The plugs can be ordered from Burmester.
If your tone arm cable does not have XLR plugs, you may use the provided adapters.

BURMESTER of NORTH AMERICA
TEL +604.542.0904 • FAX +604.542.0905 • E-MAIL: info@burmester-northamerica.com • www.burmester.de/en
03.05.2010

Input resistance/ input capacitance: The input resistance of the MC version (33 Ω, 47 Ω, 91Ω, 120 Ω, 390 Ω, 47 kΩ) can be adjusted. Thus, impedance can be adjusted to any cartridge.

This certainly also applies to the adjustability of the input capacity in the MM version (68 pF, 120 pF, 180 pF, 220 pF, 300 pF, 400 pF – input resistance fixed at 47 kΩ). The input impedances are changed via relay circuits. This results in a signal path which is as short as possible. Interfering signals can therefore be reduced to the absolute minimum.
The input sensitivity can be selected in six steps for every module for an ideal level and volume adjustment.

Subsonic filter: In order to achieve best sound results even for old or wavy records, a connectible subsonic filter prevents low-frequency deflections of the woofers.
World innovation: AUTO ADJUST: An exceptional highlight of the new Phono Preamp 100 is its AUTO ADJUST function. With a simple touch of a button, you will receive an automatic channel adjustment of the cartridge, up to a precision of 0,2 dB (2 %) and to a channel imbalance of 6 dB.

Outputs: The output level can be set to fix or volume variable. In combination with an additionally adjustable output amplification of +6 dB, it is possible to connect the Phono Preamp directly to power amps or active loudspeakers without a separate preamplifier.

In that case, the volume can only be controlled via remote control.
Phase reversal: The balanced analogue output, as well as the unbalanced analogue output are suited for phase reversal. Therefore, all different kinds of amplifiers can be connected. The analogue output stages are perfectly suitable for low-resistance inputs, due to the high driver capability of their X-Amp2 modules.
DC-coupling: The DC-coupled signal path without distorting capacitors results in a very precise reproduction of the low frequencies, because there is no phase shift in the audible range.

A/D converter: Due to the Phono Preamp 100’s optional A/D conversion module (ADC) with USB and S/P-DIF outputs, the analogue signal from the record can be digitally recorded. This means, your record collection can be archived on CDs or your music server.
Before the signal passes the D/A converter, it passes the Burmester X-Amp2 stages. As a result, the signal receives the Burmester-typical sound characteristics even before conversion.
The sampling rate for the D/A conversion can be selected between 48 kHz/24 bit, 96 kHz/24 bit, 192 kHz/24 bit for a sound adjustment according to personal preferences and for obtaining the highest possible sound quality.

BURMESTER of NORTH AMERICA
TEL +604.542.0904 • FAX +604.542.0905 • E-MAIL: info@burmester-northamerica.com • www.burmester.de/en 03.05.2010

VU-Meter: The modulation for the right, the left, or the mono-sum of both channels is indicated by the VU-meter. Therefore, with the according GAIN-setting, you can achieve the highest-possible resolution of the D/A converter.

Furthermore, the level indicator shows imbalances between right and left channel instantly. At the same time, an inertia less LED (Overload) indicates over modulating of the D/A converter.

The appearance can be configured individually or adjusted to other components with the illumination of the VU-meter and the dimmable LEDs.
Burmester goes Green: The Phono Preamp 100 has an internal analogue power supply, which automatically recognizes the adjacent line voltage. Due to its very low power consumption in Standby mode (<1 W), it fulfils the highest environmental power requirements.
DC IN/OUT: Other units can be switched on by remote control due to the Master/Slave function via DC
IN/OUT.
BurLink: The optional Burmester Link module allows the operation of control systems like AMX™ und CRESTRON™ via RS232 and USB.
Carbon fibre feet: The Phono Preamp 100 is equipped with vibration-isolating feet with carbon fibre clips for an ideal resonance decoupling.
Remote Control: The following functions can be controlled via remote: Input, Load, Gain, Subsonic, High/Low-Output, ADC, DIM, Volume, VU-Meter.
Professional Use: With regard to measurements, the Phono Preamp 100 meets the highest possible standards. Thus, it is even suited for professional use. Whether you would like to use it for broadcasting studios, recording studios or as a tool for archiving record collections, the Phono Preamp 100 meets highest demands.

Prices and Configurations:

Burmester 100 Phono Pre Amp – 2 Phono Inputs + A/D Converter + Burlink $ 22,995 (Please indicate at time of order your preference of M/M or M/C)

Burmester 100 Phono Pre Amp – 1 Phono Input (use for one Phono connection only) $ 16,995 (Please indicate at time of order if M/M or M/C is required)

(Modular options available for single input version) A/D Converter $ 2,995
Phono M/C or M/M balanced/unbalanced – please indicated at time of order $ 4,495
Burlink – used for connection to automation systems $ 495

Shipping since August 2010

Features:

• Up to two balanced phono inputs (XLR 3pol female), MC or MM version available (specify by order).
• Automatic recognition of the modules (MC or MM) and visualization at the front panel.
• Independent settings for each module which are selectable and automatically saved (impedance, gain, subsonic, output 0dB / +6dB, auto adjust on/off, etc…)
• Input impedance for MC module selectable (33Ω, 47Ω, 91Ω, 120Ω, 390Ω and 47kΩ) thus optimal impedance adjustment possible.
• Input capacitance for MM module are selectable (68pF, 120pF, 180pF, 220pF, 300pF and 400pF) thus optimal capacitance adjustment possible.
• The input impedances are switched by means of high performance audio relays, thus the shortest possible audio path is achieved.
• The input gain can be selected which assures the best possible volume adjustment of each and every Phono cartridge:
o MM: 37dB, 40dB, 43dB, 46dB, 49dB, 52dB,
o MC: 57dB, 60dB, 63dB, 66dB, 69dB, 72dB.
• Selectable subsonic filter to reduce large woofer movement due to wavy vinyl records.
• Automatic level adjust function (AUTO ADJUST) to compensate Phono cartridge tolerances up to 6dB.
• Optional selection between fixed and variable volume output
• One balanced analogue stereo output, XLR 3pol male.
• One unbalanced analogue stereo output, RCA.
• DC coupled signal path assures the best sound reproduction down to the lowest frequencies without any phase shift in the audible frequency range.
• X-AMP2 output modules with high driving capability feeds even low impedance inputs ideally.
• Output voltage can be boosted by 6dB for devices with a low input sensitivity.
• Output phase may be turned by 180 degrees using a sliding switch on the back panel.
• Optional AD converter-module with USB and S/P-DIF.
• Two digital outputs, S/P-DIF (RCA) and optical (TOSLINK).
• Sampling frequency of the ADC is selectable between 48kHz/24bit, 96kHz/24bit or 192kHz/24bit.
• Load display of the ADC with analogue audio level meter with dimmable illumination.
• The meter can either display the left channel only, or the right channel only, or the mono sum of both channels.
• Illumination of the meter selectable
• In addition to the analogue level meter a fast responding overflow LED for short peak overflow indication is provided.
• The internal power supply features an automatic mains voltage detection as well as a very low standby power consumption (<1W) – Burmester goes GREEN.
• remote power up of other devices possible by means of the DC IN/OUT connection.
• Optional BURLINK module for external control via RS232 or USB.
• Carbon fibre feet reduce micro phonic effects.
• Burmester remote control included.

Technical Data:
Weight app. 10 kg
Width x Height x Depth 482 mm x 95 mm x 345 mm
Input impedane MC 33 Ω, 47 Ω, 91 Ω, 120 Ω, 390 Ω, 47 kΩ
Input capacity MM 68 pF, 120 pF, 180 pF, 220 pF, 300 pF, 400 pF
Inputs 2 x balanced Modules (MM or MC) (fully equipped)
Outputs analogue 1 x balanced, 1 x unbalanced
Outputs digital 1 x RCA, 1 x Toslink, 1 x USB
SNR MC/MM MM: -84 dB (dBA = -88 dB)
MC: -74 dB (dBA = -79 dB)
Input amplification MM: 57 dB, 49 dB, 46 dB, 43 dB, 40 dB, 37 dB
MC: 73 dB, 69 dB, 66 dB, 63 dB, 60 dB, 57 dB
Max. input voltage MM: 78 mV
MC: 8,5 mV
Technical Specifications subject to change

3D@HOME CONSORTIUM AND MPEG IF PUBLISH GLOSSARY ON 3D VIDEO QUALITY

3D@home

Providing a Common Language for Video Experts Improves Development Cycle Time

San Jose and Milpitas, Calif., Sept. 3, 2010

– The 3D@Home Consortium and the MPEG Industry Forum (MPEG IF) today announced the release of a new glossary of terms for providing a common language for discussing, identifying and improving the subjective quality of stereoscopic (i.e. 3D) video. Over 235 terms are defined within this comprehensive glossary, targeted at 3D videographers and their crews, post production, and test facilities. It is designed to facilitate their communication on the many distinctive aspects of digital production, testing, encoding and compressing, when considering three dimensions rather than just two.

The terms were identified and defined in a joint effort by a Project Team of the 3D@Home’s Consortium’s Content Committee (ST1) and MPEG IF’s 3D Working Group, both lead by Sean McCarthy, Ph.D., from Motorola Mobility. Dr. McCarthy notes, “As a vision scientist, I am pleased to have, in one place, a reference guide to this new terminology. When all individuals involved in a project are referencing a similar vocabulary, then communication can be clear and unambiguous. That shortens creation, evaluation and development cycles and avoids costly errors.”

MPEG Industry

Rick Dean, chair of the 3D@Home Consortium and senior vice president at THX, commented, “3D@Home Consortium is pleased to add this document to its library of vital resources for its members and the industry at large. We continue to strive to provide tools that can be utilized extensively by experts and novices alike as 3D video creation and analysis techniques develop further. The glossary will also serve as a natural tool for reference as training materials, best practices documents, presentations, and other communication vehicles are developed.”

The glossary is considered a ‘living’ document and subsequent revisions and updates are anticipated. Because, when working with video creation many of the terms are often more easily demonstrated visually than in written form, plans are in place to expand the written definitions with multimedia examples available online.

The glossary, available today in PDF format, can be found at www.3DatHome.org, or at www.mpegif.org/ or by requests via email to info @ 3DatHome-dot-org. An online, interactive and searchable glossary will be forthcoming in several months.

continued

About 3D@Home Consortium
Comprised of more than 40 companies representing the entire 3D development channel from North America, Asia and Europe, the consortium is working to accelerate the adoption of quality 3D technology in the home by enabling an entire « system » of products that will broadcast, play, and display 3D content.

More information is available at www.3DatHome.org.

About MPEGIF
The MPEG Industry Forum is an independent and platform neutral not-for-profit organization representing more than 35 international companies and organizations from diverse industries with the goal to facilitate and further the widespread adoption and deployment of MPEG and related standards in next generation digital media services. It provides a forum to exchange information and views on technological, economic and regulatory issues that are relevant to these services. It also provides a powerful industry voice advocating the adoption of standards and consolidating the direction of the industry in the time of transition from analogue to digital television and media services.

Nicola Wissler
Association Specialist
MPEG Industry Forum
48377 Fremont Blvd., Suite 117
Fremont, CA 94538
Phone: 510-492-4028
Fax: 510-492-4001
Email: nicola.wissler@mpegif.org
www.mpegif.org

iPort Turns Apple iPad and iPod touch into in-wall touchscreens

iPort installed on wall

San Clemente, CA—August 2010

iPort®, the inventor of the world’s first in-wall system for the Apple iPod®, is once again poised to advance the integration of Apple products into the home.

Since its inception, the iPort brand has helped consumers experience Apple’s products in new and exciting ways allowing them to listen to, and experience their music and video libraries throughout their home.

As Apple’s products have evolved from entertainment sources to intuitive touchscreens with the iPhone® and iPad™, iPort has continued to innovate new ways to incorporate them into consumers’ lifestyles.

iPort installé dans le mur affiche les informations météo entre autre

Continuing the tradition, iPort has introduced two new products in its Control Mount Series for the Apple iPad and iPod touch®. The CM2000 Control Mount for iPad and the iPort CM100 Control Mount for iPod touch both integrate the handheld Apple touchscreen products in an attractive in-wall frame, transforming them into in-wall touchscreens for display of weather, news, stocks and many other preferred Apps.

The CM100 also transforms the iPod touch into an in-wall Internet radio source, and easily connects to any stereo or audio/video receiver. Users can download their choice of any Internet radio apps available in the App Store and play the audio back through any connected stereo system.

“From the very beginning of iPort, we have been creating innovative in-home solutions for the integration of Apple products. As Apple’s products have evolved from media players to intuitive touchscreens, we remain committed to this, and to making our products useful in a way that is aesthetically compelling and easy to use,” said Ari Supran, CEO of iPort’s parent company Dana Innovations.

intégration parfaite du iPort

Integrating an iPad or an iPod touch into a home automation system using the respective Control Mounts offers homeowners an elegant way to control their home entertainment lighting, climate, and more via control apps available from most home automation brands which link to the system over Wi-Fi.

The CM2000 and CM100 may be installed in either a vertical or horizontal orientation, depending on the functionality and design of the room.
When installed into the iPort, the iPad and iPod touch remain constantly charged.

Availability: Now Shipping

Suggested Retail Prices:

iPort CM100 $250.00

iPort CM2000 $499.00

Become a Fan of iPort on Facebook: http://bit.ly/doo8W3

About iPort®

iPort, inventor of the first in-wall music system for the iPod, makes it possible to easily share music, video, and photos through any home stereo or entertainment system. Using innovative technology and a unique design, iPort is committed to producing products that are stylish, inventive, and as simple to use as the iPod.

iPort is the innovation of Scott Struthers, co-founder of Sonance and developer of the world’s first high-fidelity in-wall loudspeaker. He is a founding member of CEDIA and a recipient of a CEDIA Lifetime Achievement Award.

iPort is a registered trademark of Dana Innovations. Apple, iPod, iPod touch, and iPad are Registered trademarks of Apple Inc.

The iPort CM2000 and CM100 have been licensed by Apple, Inc., as “Made for iPad” and “Made for iPod” respectively.

GefenTV Home Theater Audio Processor and Companion Speakers Offer Easy Way to Create Surround Sound Anywhere

CHATSWORTH, CA

Connectivity solutions provider Gefen today announced that its GefenTV Home Theater Audio Processor and optional five-set, wall-mountable speakers are now shipping.

These two products work in concert to enable a plug and play method of creating surround sound audio in any room using primarily audio extracted from the HDMI input from any Blu-ray player, gaming system or set-top box.

A digital audio input is also available.

The GefenTV Home Theater Audio Processor comes equipped with a variety of both analog and digital audio connections so consumers can select the best sound delivery for their particular entertainment system. There are six analog (25 watts RMS per channel) RCA outputs that support 5.1 Dolby surround sound and can connect to any amplifier achieve the perfect combination of amp/pre-amp so desired in home theater systems. Front right and left channels are bi-amped to improve sound quality.

The GefenTV Conference Room Speakers are ideally matched to the Home Theater Audio Processor’s speaker binding posts, offering powerful sound quality for small to mid-sized rooms. Each two-way speaker offers a ported design with built-in wall mountable capability. Speakers are sleek, attractively packaged, engineered for fine quality sound and tuned specifically for the Home Theater Audio Processor. Their elegant finish is designed to match any décor. Together, these two products supply excellent surround sound in bedrooms, dens, dorms and small conference rooms.

Alternatively, powered speakers can be connected directly to the Home Theater Audio Processor’s left, right, front left, front right, rear left, rear right, subwoofer and center positions. Finally, one coax input can be passed through in both TOSlink and coax formats, directly connecting digital audio to an existing A/V receiver.

The one HDMI input that supplies audio for the Processor is also split and delivered to two HDMI outputs at the same time, allowing for dual screens or HDTV displays to be connected locally. Both HDMI outputs deliver 1080p full HD video with deep color and 3DTV pass-through capability, as well as multi-channel audio supporting lip sync, Dolby TrueHD and DTS Master Audio.

A high contrast LCD display and front panel buttons on the Home Theater Audio Processor give access to a variety of control features and status information so consumers can finely tune the entire system. An IR remote control and RS-232 connection are also included for full control.

Both the Home Theater Audio Processor and the five-set Conference Room Speakers are available to purchase. Speakers may also be purchased in separate 3-set and 2-set options.

About Gefen:

Gefen supplies a wide selection of signal switchers, splitters, extenders, scalers, converters, KVM, digital signage and home theater accessories that enable audio/video and computer systems to be easily integrated, extended, distributed and optimized to maximize performance.
Continual product innovations ensure the company maintains its reputation as a reliable resource for installers and integrators.
The GefenTV line offers professional quality home theater accessories for plug and play operation.
The Gefen ToolBox line delivers portable, wall-mounted solutions for the nuts and bolts of system integration. All products are supported by technical representatives and engineers available for consultation in Gefen’s Los Angeles area headquarters.

Additional information may be found at www.gefen.com.

For more information:

Linda Morgan
linda@gefen.com
1.818.745.0020

Blueberry Hill Audio : the Cables

Blueberry Hill Audio

Intoduction

From all the equipment that comes trough our hands, it is quite rare that our attention is cut by simplicity and performance, especially in the cable industry.

As a matter of fact, I have always asked my self this question: Why pay more for a cable then the actual piece of furniture that my system is sitting on?

I certainly recognize the use and virtue of cables but there is a difference between using them and recommending them. That is until the day I had my hands on a set of cable that really impressed me.
This is what we are going to share with you today!

This week, Blueberry hill Audio is our highlight.

It is rare and in fact quite unique that a cable manufacturer invites us to compare their work against other manufactures without restrictions.

Many other large manufactures actually decline this comparison invitation… I have names

Making comparison does not mean that we are going to badly judge or say bad things about a product. Doing comparison is mostly putting up characteristics of each product, being able to evaluate this product in different context, bringing qualities forward and finally making conclusions that are truthful in precise circumstances.

Being courageous is not enough; you have to work hard to be so sure that your product is as good if not better to accept loaning your equipment for testing. We, at the Magazine-audio team, all came up with the same conclusion. The same thing happened with the people that are not related to the Magazine when they tested the cables on their own personal system.

It shows from Blueberry Hill Audio’s part that over their maturity, there is a great and fabulous expertise. They are good at what they do!

The Question is why other manufactures don’t want to compare their products. They probably have more to lose then to gain. They are business men first and they are comfortable in doing what they are doing, selling stuff with big brand names.
They don’t want audio Magazines to say bad things about their products.

Blueberry Hill Audio cable

From time to time, we have to recognise that some manufactures provide us with fabulous products that are not only looking good but that gives good performance and that are well manufactured.

In fact, you will notice that Blueberry Hill Audio are quite different then other manufactures. You can consult all the data for every type of cable, prices are clearly shown, and consumer’s comments are on the site too. It is easy to contact Marlen Mogilever and he will answer to whoever has a question. He offers an excellent service and there is even a 10 days satisfaction guaranteed on all products or he will reimburse your purchase.

Did I mention customizing? Blueberry Hill Audio is at your service, they offer a great choice of connectors but if you want an AC cable equipped with Furutech FI-50 carbon they will build it for you.

It took 4 years of work and research to get the production cables that they offer on today’s catalogue.

I invite you, if it is not already done, to take a look at the interview we had with Mr Marlen Mogiliver, manager of Blueberry Hill Audio. This will allow you to look Marlen’s Business up and understand his philosophy.

Let’s get to the good stuff

We did not make just a simple test; we went way more far ahead on this trial. We wanted to know what a high end cable coming from a manufacture’s catalog would bring to a set-up following their instructions and recommendations.

Knowing that we often ear rumors on this and on that, and probably more over here then over here about the fact that it is far better to use the same brand of cables all the way through your system then having different ones, we asked our self WHY would that be?
No one ever explained the reasons why so we tried finding those answers for you.

In order to achieve that, we have used the FIGARO cables line from Blueberry hill Audio, made in Canada of course and we used them for many months on different set-up, from low end to high end systems.

This cable specialist actually put the bar quite high in regards to sound results associated with a manufacturing standard unknown to this day from many other cable manufactures. All the steps of building their cables are done by hand, unit by unit. There are no sophisticated packaging, no magic box and no little blue lights…. No! It is simply an audio cable.

I have asked Marlen Mogilever, the manager of the company, what were his motivations and here is what he answered:

I am trying my best to develop interconnects cable witch will perform the best in any system, regardless of make, cost, solid state or tubes.

Being said, we found out that not only interconnects were very versatile, we had the proof with the AC and speaker cables that were designed with the same state of mind from his designer.

In order to respect the designer philosophy, we equipped all of our systems regardless of their components, speakers, and price with the same set of cable from the Figaro line: AC power, RCA/XLR and speaker cables.

List of the cable used during our trials

FIGARO : Single ended ( RCA )

LINE STAGE INTERCONNECT CABLES, Model – FIS11
Length – 1.0 m.

Features/Caractéristiques :

1. Hand polished Fine silver conductors.
2. Pure unbleached cotton dielectric.
3. Two level conductor placing.
4. Combination of single and multi strand conductors.
5. Proprietary geometry.
6. Air sealed construction.
7. Anti-vibration polyurethane core inside of the cables.
8. Anti-vibration O-rings at the both ends outside of the cables.
9. Eichmann silver bullet RCA connectors.
10. Very light weight and excellent flexibility.
11. User friendly color coded left and right channels.
12. Completely “broken-in” and demagnetized prior to the shipping.
13. Requires only 10-15 hours to warm up before sounding the best.

FIGARO : BALANCED (XLR)

Hybrid line stage interconnect cables, silver/copper, cuivre et argent : Model – FIH08
Length – 1.0 m.

Features/Caractéristiques :

1. Hand polished Fine silver (50%) and OCC cooper (50%) conductors.
2. Pure unbleached cotton dielectric.
3. Four level conductor placing.
4. Combination of single and multi strand conductors.
5. Proprietary geometry.
6. Air sealed construction.
7. Anti-vibration polyurethane core inside of the cables.
8. Anti-vibration O-rings at the both ends outside of the cables.
9. Furutech Hi-End gold plated male and female connectors.
10. Very light weight and excellent flexibility.
11. User friendly color coded left and right channels.
12. Completely “broken-in” and demagnetized prior to the shipping.
13. Requires only 10-15 hours to warm up before sounding the best.

FIGARO Hybrid Speaker cables

Model – FSH45
Length – 2.0 m.

Features/Caractéristiques :

1. Hand polished Fine silver (50%) and OCC cooper (50%) conductors.
2. Pure unbleached cotton dielectric.
3. Three level conductor placing.
4. Combination of single and multi strand conductors.
5. Proprietary geometry.
6. Air sealed construction.
7. Anti-vibration polyurethane core inside of the cables.
8. Anti-vibration O-rings at the both ends outside of the cables.
9. Furutech Hi-End gold plated Banana locking plugs.
10. Very light weight and excellent flexibility.
11. User friendly color coded left and right channels.
12. Completely “broken-in” and demagnetized prior to the shipping.
13. Requires only 10–15 hours to warm up before sounding the best.

FIGARO Hybrid power cord

Model – FPS52
Length – 2.0 m.

Features/Caractéristiques :

1. Multi strand silver plated cooper.
2. Teflon dielectric.
3. Three level conductors placing
4. Proprietary geometry.
5. Air sealed construction.
6. Anti-vibration polyurethane core inside of the cables.
7. Anti-vibration O-rings at the both ends outside of the cables.
8. Furutech Hi-End rhodium plated male and female connectors.
9. Very light weight and excellent flexibility.
10. Completely “broken-in” and demagnetized prior to the shipping.
11. Requires only 10-15 hours to warm up before sounding the best.

ANALOG EVOLUTION STEP-UP PHONO CABLE EVO-IV

Model – E4S01
Length – 0.6 m.

Features/Caractéristiques :

1. Hand polished Fine silver conductors.
2. Pure unbleached cotton dielectric.
3. Two level conductor placing.
4. Combination of single and multi strand conductors.
5. Proprietary geometry.
6. Air sealed construction.
7. Anti-vibration polyurethane core inside of the cables.
8. Anti-vibration O-rings at the both ends outside of the cables.
9. Alpha Braided Shielding- electromagnetic interference protection (EMI).
10. Conductive Carbon Infused Nylon Shielding-for high Frequency.
11. Interference protection (RFI).
12. Furutech male gold plated input connectors FP-101(G).
13. Eichmann silver bullet RCA output connectors.
14. Very light weight and excellent flexibility.
15. User friendly color coded left and right channels.
16. Completely “broken-in” and demagnetized prior to the shipping.
17. Requires only 10-15 hours to warm up before sounding the best.

ANALOG EVOLUTION STEP-UP PHONO CABLE EVO-I

TRANSFORMER TECHNICAL INFORMATION

1. Recommended for MC cartridges with self (internal) impedance range from 3 to15 ohms.
2. Ratio: 1:10 (20 db)
3. Total harmonic distortion: 0.05%
4. Frequency response: +/- 0.25 db. 10 Hz – 70 kHz.
5. DC resistance (OCC wires): Pri. = 0.86 Ohms. Sec. = 84 Ohms.
6. Winding material: OCC copper wire
7. Cable type: Silver

The Trials

Here is what we tested in our trials: Respect of timbres, dynamics associated with a beautiful tonal equilibrium. We had to get a musical sound without asking ourselves questions!

For the price and the fun, might as well get it all at the same time! Don’t you think so?

Translation for the profane: We plug the cables and we listen to music at a reasonable volume. We need to get harmonic richness associated with great dynamics. All those while keeping equilibrium on all registers witch ever the sound volume.

So, I should not ear aggressive or forward or rearward frequencies like projected medium highs witch gives you the impression that there is better dynamics or to much base that covers the rest of the musical specter, giving the impression of not having enough speed. We needed all frequencies to come out of the speakers at the same time, being in phase in fact!

This is actually very hard to achieve since each manufacture introduce their own design and philosophy in the products they manufacture. You end up having colored sound according to their taste.

You will get a good understanding of each listening sessions so it should be a good starting point for you to understand.

Jean Marc! User/Day tester.

Jean-Marc Hi-Fi set up

Speakers:

• 2 QUAD ESL 2905
• 2 QUAD ESL 988
• 2 QUAD ESL 63
• Subwoofer Martin Logan Depth.

Power Amplifier:

• Bryston 3BSST (2905)
• Bryston 2BSST (988)
• Audio Refinement-3 (63)

Players:

• Oppo 980H
• Sony PS3

Other device

• Processeur Audio Video Integra DTC 9.8 (HDMI)
• AC power conditioner: Monster HTS 5000
• Projector Panasonic PT-AE3000
• Screen Steward Motorised Firehawk G3 MicroPerf X2

Here is a short description of my reaction after plugging the cables in.

Know form the start that I consider myself having skepticism when we are talking about cables and their virtue.

In general when I am asked to test cables, or participating in any other type of testing, I have always found that the differences between cables were very small and subjective and not quite realistic in terms of pricing.

But at my house, I was located in ideal conditions, using my equipment with my recordings. Requiem from Rutter or the 5th of Bruckner for example

The differences were a lot more important then what I expected.

The biggest difference was that the music was coming out of my speakers with less back noise, the details were way clearer. Of course I had the chance to see this type of change before but never to this extent.

On top of that, the tonal balance and the sound stage produced by my Quad’s 2905 were absolutely better on Rutter’s . I ended up with clearer voices and the depth of the stage was definitely deeper. The signer was simply standing there with a better presence.

On the 5th of Bruckner, The clarinets and Haut bois solos had more clarity and way more Harmonic Richness I was not expecting that much of a change.

On my regular system, I have always heard the Oboe sounding like it was hidden behind a thin curtain and it was not pleasing my ears at all. Adding the Figaro line cable to the system made me appreciate the musician’s talent and my perception of the Oboe changed completely.

The speakers dynamics was way better, the speakers were breathing… It is hard to put a number in terms of improvement but I would easily say that it is higher then 10 % so I will say 25%!

YVES advice.

A few weeks ago, I had the chance to listen to the Figaro line of cable. I was comprised of interconnects, Ac cords and speaker cables.

This set of cables coming from Blueberry Hill Audio instantly gave me improvements as we turned the music on. The tonal equilibrium was instantaneous, a total control on the entire specter and very impressive dynamics.

My system witch is comprised of a Coda amp, Audio Refinement Preamp and Mirage M1 speakers had a brutal wakening. But it was a fine wakening. For those who know the M1’s, the really need a lot of power to give life to music.

As soon as the Blueberry Cables were hooked on we asked ourselves, where are the speakers gone to?

These monsters(M1’s) who have always looked to me as excellent, at that particular time, completely disappeared finally letting music flow through my entire room! At the same time it seems like it was also giving a bit of a brake to my Coda 10.5 which will now stay behind my Mirage for many years.

In conclusion, we can speak of detailed sound, opening of the stage, exceptional voices, great dynamics all associated with tonal equilibrium.
Well! If you can afford it, you have to listen to the Blueberry Hill Audio cables, especially before replacing your existing material.

Yves Coulombe

Next part follow as soon as possible.

Contact and information

Manager : Marlen Mogilever
Blueberry Hill Audio

383 Connaught Avenue
Toronto, Ontario, Canada
M2R 2M1
Phone: 647-341-8757
From 9 a.m. to 6 p.m.
Eastern Standard Time
Monday – Friday

Email: bha@rogers.com

Site web : http://www.blueberryhillaudio.com

This article has been written by Marc PHILIP, independent editor and reviewer, all rights reserved, copyright 2010, the text and photos are the property of the author and the magazine,under the creative commons license.

Have a great day and enjoy the music.

PosiMotion is pleased to announce that the Helix, a gaming accessory for the iPhone and iPod touch, is now available in Best Buy stores.

It can be found in the Best Buy Mobile section, as well as bestbuy.com ($19.99USD).

Helix by PosiMotion

Helix has a grip-enhancing soft touch that vastly improves gaming performance. Both extremely light and portable, Helix offers a sleek aesthetic and ergonomic design for enhanced playing comfort and control.

Features include:
• Compatible with iPhone 3G, 3GS and iPod touch 2G, 3G
• Devices fit securely in portrait and landscape orientation
• Comfortably wide handles for accurate steering control
• Sturdy, durable construction
• Simple wire management
• Ideal for racing, first person shooters, action RPG’s, flight simulators, side-scrollers… virtually any game.

Check out the new Helix video at: http://www.youtube.com/watch?v=Sew-IivonhQ

For more info about Helix, visit http://www.posimotion.com/helix

Contact:
Brian Beighle
386.238.8726 ext. 306
brian@posimotion.com

About PosiMotion LLC
PosiMotion is a Florida-based, cross-platform company with core strengths in programming, developing, publishing, and creating accessories for the iPhone and Android platforms.
As a service provider, PosiMotion handles high-value intellectual property (IP) for some of the largest companies in the world. G-Park, PosiMotion’s flagship app, has been internationally featured on Apple’s iPhone television commercials.

Please visit www.posimotion.com for more info.

DW Collection Launches
Art.Studio
Elegant Twin-Tower, Active Music System
Architecturally-Inspired Speakers Feature Music-Enhancing and Wireless Technologies;
22 Drivers, Built-In Amplifiers, and High-Definition Stereo Performance
www.dwcollection.com/artstudio
 
 

DWC-Aphex

Park City, UT, May 17, 2010

Luxury high performance audio and entertainment equipment manufacturer DW Collection (DWC) has begun to ship the Art.Studio, a new twin-tower, powered music system.
The latest addition to DWC’s audio collection, the Art.Studio is a sonic and engineering tour de force in the tradition of its pioneering Ferrari Art.Engine home audio system.
The Art.Studio’s twin speaker towers and their patented Aphex® audio-enhancing circuitry create a room-filling sound field of high-definition stereo entertainment.  In a world of compressed music files and limited dynamic range, the Art.Studio system makes contemporary music sound more spacious, detailed and entertaining.  Its outstanding performance brings flat music back to life, reduces listening fatigue and delivers a clear, even sound from the front to the back of any room.   

The Art.Studio also represents DWC’s latest, highest achievement: combining form, function, performance and exclusivity in the best tradition of fine art, design and engineering that a lucky, treasured few music lovers will have the opportunity to own and appreciate.  And it’s the only consumer speaker with Aphex’s music enhancing technology BUILT IN.
 
Like its Ferrari-inspired Art.Engine cousins, DWC machines the Art.Studio’s elegant 49-inch high towers from solid, aircraft-grade 6061 T6 aluminum billets. Internally, its three-way speaker system boasts six class D digital amplifiers (three per side) and delivers 350 watts per tower; a crossover with digital signal processing (DSP); Aphex® audio enhancement technology; multiple input options; subwoofer and stereo line level outputs; and optional DWC•Wireless™ music transmission.

Each of its tri-amplified floor-standing towers contains an eleven-driver array that includes eight 3.5-inch woofers, two 3.5-inch midrange drivers and a one-inch soft-dome tweeter.
 
Art.Studio’s optional DWC•Wireless™ wireless signal transmission system lets music lovers transmit signals to the system via its award-winning multi-function dock from any audio source—iPod, PC or Mac, CD player, MP3 player or satellite radio—and an optional, elegant remote control made of machined aluminum adds a further layer of user convenience. 

The wireless technology provides the highest level of performance and ensures the signal always arrives interference-free and without degradation. Today’s home airwaves are cluttered with signals from such electronics as cordless phones, radio controlled toys, cell phones, microwave ovens and wireless routers. DWC•Wireless™ technology uses robust frequency-hopping spread-spectrum (FHSS) transceivers to make dropouts a thing of the past.
 
When previewed at The 2010 Home Entertainment Show and CES in January in Las Vegas, the Art.Studio drew admiring comments about its stunning visual design and performance, with many guessing its cost at two and three times the list price. The Art.Studio also earned the prestigious Design & Design Product Design Award, an annual honor conferred by a panel of international designers.
 
Engineers originally developed DWC’s proprietary Aphex® audio enhancement technology for the professional recording industry. 

Top artists like James Taylor, Paul McCartney and Fleetwood Mac along with today’s leading sound engineers use the technology to improve the fidelity of the multi-track recordings for their albums and concerts. Unlike equalizers and conventional ‘enhancement’ circuits, Aphex® improves the audio from music files–like MP3s made with conventional recording and data compression technology–by analyzing and restoring musical harmonics in real time and providing a remarkable sense of spaciousness and clarity.  Some have called the effect “magical.”  The circuit is switchable, so those listening to uncompressed high-fidelity tracks can turn it off if they wish.
 
“There is simply no other enhancement technology as powerful as Aphex and just as importantly, it is a time proven technology being applied for the first time in the consumer audio world leaping out of the recording studio and broadcast markets,” said DWC Co-founder and CEO, inventor and engineer David Wiener.  “Vocals, drums, pianos, guitars and other instruments sound more distinct and detailed. It expands stereo imaging to create a more ‘open’ realistic performance with greater presence. It optimizes bass frequencies for a deeper, more resonant sound, making music sources seem more powerful, dynamic, and emotionally engaging, even at low volumes.”  The vocal intelligibility of podcasts and audio books also dramatically improves as users experience less listening fatigue.
 
“For DWC, it’s all about style, design, engineering, technology and audio enhancement that really works by way of patented, proven technologies that have been described as ‘magical,’” adds DWC Co-founder and Managing Partner Robin Sibucao. “Our technology and products offer a psychoacoustic benefit that is real and pleasing to the human auditory system.”
 
Hand-assembled at the DWC Technology Center in Utah, DWC will build about 150 pairs of the Art.Studio this year for discerning fans of design, Ferrari-inspired engineering and music worldwide. 
The Art.Studio is now available in floor standing and wall mount styles at select retail outlets and online direct from the manufacturer at an MSRP of $5,999  ($6,800 with the optional DWC•Wireless™ technology and dock).  
For the nearest dealer or to order directly, contact www.dwcollection.com/artstudio.

 
About the David Wiener Collection (DWC)
 
The David Wiener Collection was spun off from David Wiener Ventures (DWV), a design and innovation studio that creates some of the world’s most exclusive and prestigious consumer products.  DWC audio and entertainment products exhibit extraordinary, uncompromised performance, styling, materials and craftsmanship. The company is relentless in its pursuit of superior products and groundbreaking technologies.
DWC mirrors DWV’s commitment to performance and style as it grows its audio and entertainment collection, along with its technology licensing business.
 
Founded to create advanced vehicles, products, furniture and fashion, DWV prides itself on a unique operational model, based on experience with Formula One teams, that inspires its staff to optimize performance, style, operations, image and success.
 
DWV has worked with many of the world’s great brands, including Ferrari; the U.S. Ski Team; Columbia Sportswear; Cannondale; Ben & Jerry’s; Nike; 2009 IndyCar Series Champion Target Chip Ganassi Racing; racing supplier TWR; Old Navy; Bloomingdales; and many others. DWV programs have also been sponsored by such highly regarded companies as Adidas; Campagnolo; AMF; DuPont; Fischer; Salomon; Revo; and Vuarnet. In addition, DWV’s work has been featured in major media worldwide, as well as on a PBS-TV documentary.
 
DWC’s Park City, Utah, design facility and Salt Lake City-based Technology Center exhibit DWC’s culture with Ferrari and other F1 cars on display. For further technical information, visit DWC’s Web site at www.dwcollection.com.

BLUES MUSIC AWARDS CELEBRATE THE BEST OF BLUES MUSIC WITH 2-DAY MEMPHIS EXTRAVAGANZA

BIG HONOREES INCLUDE BUDDY GUY, TOMMY CASTRO AND DEBBIE DAVIES, RECIPIENT OF FIRST-EVER KOKO TAYLOR AWARD

Marathon Party Featured Lifetime Achievement Award Winner Buddy Guy, and Performances by Tommy Castro, Eden Brent & Monkey Junk And Others
[Memphis, TN, May 2010]

The Blues Foundation has done it again. The party of the year for Blues music has once again left its mark on Memphis with a two-day marathon event, kicking off on Wednesday with this year’s induction ceremony for the Blues Hall of Fame, and culminating last night with a seven plus hour celebration of the Blues Music Awards. Presented by The Gibson Foundation, the Blues Music Awards are universally recognized as the highest honor given to Blues artists, and are voted on by fellow performers, industry representatives, and fans from around the globe who are members of The Blues Foundation.

This year, the awards ceremony honored winners in 26 categories, presented by some of the most influential members of the Blues community, including artist Mickey Thomas, Washington Blues Society President Eric Steiner, Blues Foundation board member Steve Bryson, and Nashville Blues Society charter member Kathy Bolmer.

This year’s big winner was Tommy Castro, named the B.B. King Entertainer of the Year and collecting a total of four awards, in all four categories in which he was nominated including Band of the Year, Contemporary Blues Album of the Year, and Contemporary Blues Male Artist of the Year. Bonnie Raitt – an inductee in this year’s Blues Hall of Fame – presented Buddy Guy with the Lifetime Achievement Award.

Also presenting at last night’s ceremony was Koko Taylor’s daughter, Cookie Taylor, to present the renamed Koko Taylor Award (formerly Best Traditional Female Artist) to its first-ever recipient, Blues guitarist Debbie Davies, whose album Holdin’ Court was released last fall.

Blues pianist Pinetop Perkins was on hand to present his namesake Piano Player Award to this year’s winner Eden Brent, recipient of two 2009 Blues Music Awards and winner of the 2006 Blues Foundation International Blues Challenge.

Joe Louis Walker, who received the most nominations this year with a total of five, received one for Album of the Year for his Between a Rock and the Blues album release.

Of this year’s event, The Blues Foundation Executive Director Jay Sieleman said, « There is a great vibe to this event but the real secret is not a secret at all-great music by performer after performer. »

Kicking off the two-day event on Wednesday night, a committee of scholars, record producers, radio programmers, and historians inducted the following performers into the Blues Hall of Fame: Louisiana-born, Chicago-based bluesman Lonnie Brooks, highly-esteemed blues singer and harpist Charlie Musselwhite and singer, songwriter, guitarist and social activist Bonnie Raitt. The Blues Hall of Fame committee is chaired by Jim O’Neal, founding editor of Living Blues.

The Blues Music Awards brings together Blues performers, industry representatives and fans from all over the world to celebrate the best in Blues recordings and performances from the previous year. The presenting sponsor is The Gibson Foundation and the sustaining sponsor is BMI. Additional 2010 BMA sponsors include ArtsMemphis, band Village, Casey Family Programs, Eagle Rock Entertainment, FedEx, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company, I55 Productions, and the Tennessee Arts Commission.

For those who were unable to attend this epic event in Memphis, The Blues Foundation will make The Blues Music Awards ceremony available on DVD later this year. As with the DVD releases of the 2007, 2008, and 2009 ceremonies, the 2010 edition will include all the evening’s winners and performances on one memorable disc. For more information, visit www.blues.org.
The Blues Foundation is Memphis-based, but world-renown as the organization dedicated to preserving our blues music history, celebrating recording and performance excellence, supporting blues education and ensuring the future of this uniquely American art form. Founded in 1980, the Foundation has 3500 individual members and 185 affiliated local blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events –the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards– make it the international center of blues music. Its HART Fund provides the blues community with medical assistance while its Sound Healthcare program offers musicians health insurance access. The Blues Foundation’s Blues in the Schools programs and Generation Blues scholarships expose new generations to blues music. Throughout the year, the Foundation staff serves the worldwide Blues community with answers, contact information and news.
2010 Blues Music Award Winners:

Acoustic Album of the Year
David Maxwell & Louisiana Red – You Got to Move

Acoustic Artist of the Year
Louisiana Red

Album of the Year
Joe Louis Walker
Between a Rock and the Blues

B.B. King Entertainer of the Year
Tommy Castro

Band of the Year
Tommy Castro Band

Best New Artist Debut
Monkey Junk
Tiger in your Tank

Contemporary Blues Album of the Year
Tommy Castro
Hard Believer

Contemporary Blues Female Artist of the Year
Ruthie Foster

Contemporary Blues Male Artist of the Year
Tommy Castro

DVD
Delmark Records
It Ain’t Over! Delmark Celebrates 55 Years of Blues, Live at Buddy Guy’s Legends

Historical Album of the Year
Chess -Authorized Bootleg (Muddy Waters)

Instrumentalist-Bass
Bob Stroger

Instrumentalist-Drums
Cedric Burnside

Instrumentalist-Guitar
Derek Trucks

Instrumentalist-Harmonica
Jason Ricci

Instrumentalist-Horn
Deanna Bogart

Instrumentalist-Other
Buckwheat Zydeco (accordion)

Pinetop Perkins Piano Player
Eden Brent

Rock Blues Album of the Year
Derek Trucks Band
Already Free

Song of the Year
Cyril Neville & Mike Zito
‘Pearl River’ (Pearl River–Mike Zito)

Soul Blues Album of the Year
Johnny Rawls
Ace Of Spades

Soul Blues Female Artist of the Year
Irma Thomas

Soul Blues Male Artist of the Year
Curtis Salgado

Traditional Blues Album of the Year
Super Chikan
Chikadelic

Traditional Blues Female Artist of the Year
Debbie Davies

Traditional Blues Male Artist of the Year
Duke Robillard
For more information, please contact:
Amanda Sweet 202-636-3507
amanda@bucklesweetmedia.com